Applying dance makeup is part necessity, and part ritual. The necessity is in making sure that our entire look is effective for performance--the expression in our eyes can be seen, the balance of our colorful costume with our hair and makeup is considered, etc. But while there are practical concerns with makeup, there is an emotional component as well. The act of getting "made up" is part of putting ourselves "into character", if you will. Even if we feel we are entirely ourselves in performance, there is still a different aspect of You that must be drawn out for stage that is different from the everyday grocery-shopping-laundry-doing You, right? Putting on our makeup, and of course costume, is a way to step out of who we are all the time to become the polished performer we wish to present to our audience.

Good performance makeup takes practice! Just like we don't just go through the motions of dancing, but instead build our skills through regular study and rehearsal, good makeup also takes repetition and experimentation to build our confidence and skill. Performers trained in other forms of dance and theater learn this from very early on, but sometimes we bellydancers seem a little behind the curve in understanding the need for strong makeup to create a more powerful performance.
To be fair, we bellydancers tend to be in a unique position when it comes to make-up: we have to have a lot of different looks because our performances are done in so many different venues! One week you will be up close in a dark restaurant, next week you will be outdoors in a sunny festival, the next dancing in a living room for a birthday party, and the next your are on a big stage with full stage lighting. And each requires different considerations when it comes to what we do with our makeup to give the most KAPOW! to our face! For today, let's consider stage makeup techniques, since much of these elements can be built up or toned down for various venues; but the individual elements are still key components to any performer's makeup repertoire.